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January 2008

January 30, 2008

I've been reading Thomas Pynchon's Against the Day with a sense of indifference, but I'll grudgingly concede that it isn't that bad, but, to be fair, I'm not terribly impressed, either. I'm just over a hundred pages into a 1,000-plus page tome, so it's probably too early to pass judgment, but the novel has a certain charm, and Pynchon has an easy-going, irreverent style that flows quite nicely. Despite its size, Against the Day is more accessible than either Gravity's Rainbow or Mason & Dixon (neither of which I finished, for different reasons), but I don't think it's going to convert me to the Cult of Pynchon.

January 23, 2008

It looks like Dmitri Nabokov is going to burn Vladimir Nabokov's last novel. And now I'm even less certain that's the right thing to do. Consider:

The last unpublished work of one of the 20th century's greatest writers may be close to being destroyed in fulfilment of the author's last wishes, his son has hinted.

Vladimir Nabokov requested in his will that his unfinished novel, The Original of Laura, should be destroyed on his death, saying that he abhorred the idea of his readers seeing a work he had completed "in my mind" but not on paper.

But more than 30 years since his death, nobody has dared to incinerate the manuscript, a collection of 50 index cards that is languishing in a Swiss bank vault.

Okay, so the book, if you can call it that, isn't even finished. It barely even qualifies as a manuscript in the true sense. Fair enough. Then again:

For years Nabokov, who is the only living person to have seen the entire manuscript, has tantalised his father's fans with his descriptions of it as a distillation of the writer's output and the most "brilliant, original and potentially radical" script he ever wrote.

Damn. Still, I think he should burn it. Just get it done, before we change our minds. What do fifty "potentially radical" index cards amount to, anyway? Disappointment, methinks.

But Dmitri should look on the bright side: at least he has kindling for those cold Swiss nights.

January 17, 2008

A lot of people are jumping on this.

Here is your chance to weigh in on one of the most troubling dilemmas in contemporary literary culture. I know I'm hopelessly conflicted about it. It's the question of whether the last unpublished work of Vladimir Nabokov, which is now reposing unread in a Swiss bank vault, should be destroyed--as Nabokov explicitly requested before he died.

I can see the gray area. Do we honor a dead man's last request, or do we satisfy our own curiosity? Sure, at first glance, it's a hard question; most people would (understandably) like to read the book, if only to find out what all the fuss is about. However, I'm going to side with Nabokov on this one: the manuscript should've been destroyed years ago--"as Nabokov explicitly requested before he died." And we should be thankful that his genius won't be tainted by something that, quite possibly, isn't as great as we would like to believe. (Then again, I have a feeling the manuscript might be something else altogether: did he write something that's humiliating to himself or his family, something that might actually be better left unread? Maybe Dmitri should enlighten us without showing all his cards.) All of the great writers have written something they don't want the public to read and, clearly, Nabokov is no different. So respect a dead author's wishes, burn the manuscript, and stop fucking with his legacy. It's great enough as it stands.

January 16, 2008

Maybe I'm the only one who cares, but Matthew brought back the Condalmo store, per my foolishly worded request. Support your fellow lit-bloggers, why don't you?

January 11, 2008

Anyone who's reasonably familiar with me knows that I'm an atheist, but what's less known is how long it took me to reach this stage in my personal philosophy. It wasn't precipitated by any one thing. I was actually raised in two relatively conservative Christian households: my mother, after several months of searching, became a Lutheran and my father attended a non-denominational church. Growing up, my favorite books were C.S. Lewis's The Chronicles of Narnia. I even spent two consecutive summers, when I was twelve and thirteen, at a Christian retreat called Camp Id-Ra-Ha-Je (which, in keeping with the camp's Native American theme, was a way of saying I'd Rather Have Jesus). They were probably the best summers I ever had as a kid.

Despite all this influence, Christianity didn't stick. One of my most vivid memories at Camp Id-Ra-Ha-Je was when, during the final days of camp, the resident pastor asked each cabin group to come up with a list of questions regarding God, Christ, the Bible, salvation, or religion in general. My question was both simple and maddeningly frustrating: Where did God come from? The pastor chuckled uncomfortably as he read the question, and the other cabin groups began whispering among themselves. Then the pastor gave one of the most disappointing answers I'd ever heard at that point in my life: he explained that God didn't have a creator, that He was the Supreme Creator, and that He had always been around and would always be around.

I often point to this as being the moment I truly I stopped believing in God, but I suspect that it runs much deeper than that. Even then, I wasn’t able to operate on faith alone; it had always seemed superfluous to me, a fancy way of saying, "It just is." But I needed evidence, and moreover, the evidence, there was any at all, needed to make sense. Blind faith may work for some, but I'm less interested in emotion than motive. I’ve never claimed to understand the reasoning behind the Crucifixion--even as a child I would question it. I certainly felt twinges of guilt: after all, who was I to question the ways of God?

But it wasn't until I read George H. Smith's Atheism: The Case Against God that I was finally able to make some sense of it all. Despite Smith's snide tone, his book is a very comprehensive overview, dispelling many of the myths surrounding atheism and agnosticism while also serving as a defense of atheism and a critique of theism. It's easy to label Smith's book as an attack on Christianity, but this view is short-sighted, considering the author's reasoned approach. Smith states in the book that it isn't his intention to convert people to atheism, but rather to show that theism doesn't hold up to scrutiny. Smith puts the ball firmly in the theist's corner--it's not up to the atheist to prove that God does not exist, but rather, it's up to the theist to prove his or her claims. Smith often belabors the points made in his book (which makes it seem as though he's adding insult to injury) but when approached with an open mind, his book is reasoned and informative.

Bertrand Russell's essay "Why I Am Not a Christian," from Why I Am Not a Christian: And Other Essays on Religion and Related Subjects, is quite possibly my favorite essay. Russell wasn't really an iconoclast--he avoids the smugness that's so pervasive in Smith's book and instead comes off as a charming and objective philosopher. He briefly summarizes the common arguments for God's existence and examines the morality of Christianity. Was Christ a moral godhead, or the meek lamb, as he's often portrayed? Perhaps not, Russell argues.

There is one very serious defect to my mind in Christ's moral character, and that is that He believed in hell. I do not myself feel that any person that is really profoundly humane can believe in everlasting punishment. Christ certainly as depicted in the Gospels did believe in everlasting punishment, and one does find repeatedly a vindictive fury against those people who would not listen to His preaching--an attitude which is not uncommon with preachers, but which does somewhat detract from superlative excellence.

Where Smith approaches his argument from a standpoint of pure reason, Russell tackles the subject from the perspective of moral progress and, by extension, human nature. Does the very nature of Christianity, coupled with the nature of men and women, make it impossible for its adherents to reach paradise? Russell argues that that may very well be the case. But far from being a cynical rationalist, he believes that salvation, as it were, lies in progress, knowledge, and intelligence--not outdated medieval dogma.

We want to stand upon our own feet and look fair and square at the world--its good facts, its bad facts, its beauties, and its ugliness; see the world as it is and be not afraid of it. Conquer the world by intelligence and not merely by being slavishly subdued by the terror that comes from it. The whole conception of God is a conception derived from the ancient Oriental despotisms. It is a conception quite unworthy of free men. When you hear people in church debasing themselves and saying that they are miserable sinners, and all the rest of it, it seems contemptible and not worthy of self-respecting human beings. We ought to stand up and look the world frankly in the face. We ought to make the best we can of the world, and if it is not so good as we wish, after all it will still be better than what these others have made of it in all these ages.

January 07, 2008

I read over three hundred pages of The Brothers Karamazov last year before realizing I hated the translation, which came off as a parody of Victorian writing. It was distracting; I found myself focusing more on the prose and less on the story and characters. I realize that Dostoevsky is extremely difficult to translate, but somehow, considering how dark The Brothers Karamazov is, I just don't think a flowery writing style fits.

But if last year's reading theme was to read most of the books I missed in my high school English classes, then 2008 is shaping up to be "the year of the Russian novel." I have Leo Tolstoy's Anna Karenina waiting in my bookshelf, and I have plans to read War and Peace and The Death of Ivan Ilyich. Then there's Fyodor Dostoevsky: Crime and Punishment and The Brothers Karamazov are high on my reading list, with The Idiot, Notes from the Underground, and Demons ranking somewhat lower.

Setting aside the Russians for a moment, I also have plans to start Marcel Proust's magnum opus In Search of Lost Time. I have my blogging bretheren to thank for this fixation and, as usual, I'm late to the party, but I'm going to catch up. And if you've been a regular reader here, you already know what to expect: more botched commentary and senseless quasi-reviews from yours truly.

That's your cue to stop reading and run like hell.